Cindy Schwarzstein, Founder of Cartwheel Art Magazine and Cartwheel Art Tours
Cartwheel Art founder Cindy Schwarzstein combines her background in Hospitality and Tourism Management and as an art consultant with over two decades of event planning and production and project management in the art/music and surf/skate/snow industries. Her experience includes hospitality management, trade show management, tour management, operation management, project management and management in publishing and print production.
Her exposure to art began at an early age in Haiti, where her parents owned an art gallery, in addition to being raised in Laguna Beach, an art colony. Her interest in art expanded while working in the surf/skate/snow industries. Cindy’s background in the hospitality industry was spurred by growing up in Laguna Beach, considered a tourist destination as well as an art colony. Cindy has a Bachelor of Science degree from University of Massachusetts – Amherst in Hospitality and Tourism Management.
Cindy is an Arts District resident, a Los Angeles River Artists and Business (LARABA) Board Member, and a guest speaker for numerous universities, art organizations and most recently a panelist at Los Angeles County Museum of Art (LACMA) for a panel discussion on murals.
Lisa Derrick, Contributor
Lisa Derrick, honed her writing skills at Larry Flynt Publications and while covering nightlife for New Times Los Angeles. She branched out, co-creating Grammy Magazine as an editor and writer, and co-created, designed, and launched Sacred History Magazine, where she focused on cultural and artistic aspects of religion.
Along with writing for and editing Cartwheel Art Magazine, Lisa contributes to The Huffington Post. Her art has shown at Coagula Curatorial and Illuminoidist gallery in Long Beach, and she curated the acclaimed “Two Johns and Whore” which opened January 11, 2014 at Coagula Curatorial. Since then she has curated nine other shows, including two fundraisers for Homeboy Industries, a booth at Photo Independent for Coagula, and the successful “Dark Progressivism: Devil’s Town” at Red Pipe Gallery. She is an associate producer of the documentary Dark Progressivism: On Rupture and Rebellion, and co-curated the Cartwheel Art’s LA Art Show 2015 booth “Dark Progresssivism: Metropolis Rising” with the film’s writer/director Rodrigo Ribera d’Ebre.
Rodrigo Ribera d’Ebre, Contributor
Rodrigo, is the author of Urban Politics: The Political Culture of Sur 13 Gangs, The NAFTA Blueprint, and A Grave Situation. Last year he co-curated the LA Art Show special exhibition, Dark Progressivism: Metropolis Rising. He is the writer/director of the upcoming feature documentary film, Dark Progressivism, an urban studies film that follows the trajectory of Los Angeles gang graffiti, murals, and tattoo art, and their impact on contemporary art. He writes extensively about art and culture in Los Angeles, with articles published in the Huffington Post, Cartwheel Art Magazine, and the Los Angeles Review of Books, and he is currently a graduate student in the creative writing department at Mount Saint Mary’s University. (photo by Jim McHugh)
Paul Koudounaris, aka Dr. Paul K., Contributor
Dr. Paul K., is an internationally renown author and photographer. He has a PhD in Art History and his publications in the field of charnel house and ossuary research have made him a well-known figure in the field of macabre art and art history. He is the author of Empire of Death, Heavenly Bodies and Memento. More about Paul.
Steve Grody, Contributor
Steve Grody, is the author of Graffiti LA: Street Syles and Art, historian and photographer. In 2011 his photographs were in the MOCA “Art of the Streets” show and catalogue, and he was co-curator of “Street Cred: Graffiti Art from Concrete to Canvas” at the Pasadena Museum of California Art. He is also our Cartwheel Art Tours graffiti expert. More about Steve.
Julie Faith, Contributor
Julie Faith is an urban art photographer who focuses primarily on graffiti and street art, the very nature of which is fleeting and therefore must be documented. Her passion and joy are in capturing the unexpected, the spontaneous, the magical. She spends countless hours searching for art hidden in plain sight on the streets of LA and beyond. “There is simply nothing better,” Julie says, “than going into a situation unscripted, eyes wide open, camera in hand, and discovering something glorious.” Julie is captivated and inspired by the work of photographers Henri Cartier-Bresson, Vivian Maier, Martha Cooper, HollowDoubt, and the Lady Art Mafia
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Andrea LaHue, Contributor
Andrea LaHue aka Random Act, is widely recognized for her monumental botanical paintings across America. As an Army brat, her travels exposed her to art throughout Europe and the Americas and inspired her to uplift and instigate with her practice. LaHue’s paintings have displayed at the Museum of Latin American Art (MOLAA) twice and she has exhibited internationally. LaHue has painted murals in over 51 U.S. Cities as well as city sanctioned electrical boxes in downtown Los Angeles. International news sources, including The Washington Post, LA Times, NBC News, The Associated Press, as well as several notable blogs, have featured her artwork and millions have seen her work on Martha Stewart Living and How I Met Your Mother.
LaHue’s socially conscious art ranges from giant murals to delicate historical portraits and she has enjoyed collaborating with great artists such as Cyrcle. She has spoken on panels and round tables for esteemed entities such as the LA Times and Marymount University. Andrea has also partnered with the GOOGLE Cultural Institute’s Street Art Platform where she curates on-line exhibitions documenting Street Art in Los Angeles, California, here.
Michelle Homami, Contributor
Michelle Homami is an artist, writer, and consultant born and raised in Los Angeles. She is passionate about the cross cultures between art and psychology, and the intrinsic effect creativity has on individuals and populations at large– from pockets of gentrified U.S. cities to countries around the globe. Versed in four languages and an avid world traveler, her diverse cultural inspiration fuels her to connect the dots between individuals, businesses and communities to help each reach their fullest potential. Michelle was an instrumental leading force in the development of the UTI 30th Anniversary Mural painted on the Westbrass building.
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Lee Joseph, Contributor
Immersed in art and music around the clock, Lee Joseph works as a visual arts and pop culture event publicist and runs the underground indie label Dionysus Records.
Lee collects illustrative artworks, many of which have already made perfect album covers. Numerous pieces in his collection — by Damian Fulton, Heather Watts, Rockin’ Jelly Bean, Shag, Lisa Petrucci, Winston Smith, and others — were created for (or later became) feature art for Dionysus LPs and seven-inches.
Lauren Over, Writer, Contributor
Lauren Over is an artist/photographer/writer from a medium-sized town in Pennsylvania. Her earliest influences: book illustration, album covers, national geographic magazines and classic cars. She’s interested in the surreal, symbolism, collage and the use of text. When she’s not wandering the streets of L.A. with her camera, she does illustration and participates in shows. Lauren graduated from Tyler School of Art with a BFA in Drawing and Painting, and her MFA at California State University, L.A.
Melinda Sanchez, Contributor
It was in 2007, a trip to New York, that Melinda Sanchez knew she wanted to devote herself to art, specifically the culture of street art. Melinda felt it was important that she had a background in the business of art in order to grow as an artist herself. Working as a Gallery Assistant at Upper Playground in Downtown Los Angeles, she had the opportunity to learn from gallery staff, photographers, and prestigious street artists. As her knowledge of galleries and artists grew, her own talents as a photographer developed.
Melinda is driven by the idea that ease of access to social media and technology is a positive force in the democratization of street art. Melinda describes a common theme in her own work as finding “beauty in the breakdown.” She understands the universal hardship every individual faces, and feels that art is an integral mechanism in the process of healing.
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Angelina Coppola is a third-generation Angeleno and a graduate of the University of California, Berkeley. She received her B.A in English with a concentration in Creative Writing. She has previously worked as an Editorial and Marketing Assistant at Rare Bird Lit, an independent publishing company based in Downtown LA. Her first published short story, Desert Mermaid, was recommended for publication by Joyce Carol Oates, her former professor. Her own writing has been covered in LA Magazine, The Washington Post, and CNET Australia, among others. She currently lives and writes in Los Angeles.
Dahlia Jane, Writer
Dahlia grew up feeling out of place in the conservative North Shore of Chicago. Frequently alienating others with her head in a book or up in the clouds, Dahlia found relief on frequent trips into the city to look at the Impressionist paintings at the Art Institute of Chicago.
She started her blog, Upon a Midnight Dreary, in 2009 as an outlet for her fascination with the macabre and memento mori. Through creating content for the blog, she discovered a world of up and coming dark artists in Los Angeles and felt at home with other people for the first time. She loves dissecting the truth behind a work of art. Her goal is to help artists reach a wider audience and since summer 2013 she has also been contributing Artist Spotlight features to Auxiliary Magazine. Her art collection includes original works by David Van Gough, Krystopher Sapp, Stefanie Vega and Dan Harding.
Lara Dildy, Contributor
Lara Dildy is a photographer and graphic designer whose passion for art, especially street art, has led her to work with organizations like the Downtown Los Angeles Art Walk and LA Art Show. Her ongoing quest to capture the ever changing urban aesthetic is what fuels many of her creative efforts including documenting street art and graffiti. Dildy describes herself as a “passionate, almost obsessive, collector of details.
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